［完独!!インタ映像!!］城田優&ポーラ・フォーゲル!! 11/14公開：「インディセント」!!（松竹ブロードウェイシネマ2025秋）
Yeah. Minority Do identity. Comedy. [Music] forget it. Get it. [Music] Ending. Do you mind? for [Music] Anything that goes [Music] [Music] I think the wonderful thing about theater is that it’s a collaboration and If it is a masterpiece, it is because of my director and my cast and the audience meeting the play and creating the play. I just write the script. Um I will say however that this play um I spent 10 years of researching reading and this is the play where I wanted to think about my ancestors. And I think if we think about our ancestors, when we sit down, we become a vessel or a vehicle to try to find the resonance from them. Um, and this was one of these rare experiences that I felt uh where I felt I was being a channel. But there is a moment when the cast forms a single line and realizes that the fate is sealed and our lead character Leml can envision the characters in the play that he’s been producing for half or more than half his lifetime that he’s loved dearly. and the fact that he can channel the beauty of the characters and see that beauty in his final moments is something that I guess I am hoping for and wishing for as someone who spent more than half my life in theater. But every night uh when the play was over, audience members stayed on the street. Oh. And I would come out and I’d stay there for two hours. I mean, each person who stayed wanted to tell me what their grandparents did, who in their family were actors in the Yiddish theater when their family came to the United States, personal story after personal story, or some of the older audiences, white-haired audiences like me would say, “I need my grandchildren to come to this.” Um, and another reason that I wanted to write this is it was extraordinary to me to see young people and elders together in the same audience. So, uh, that was the greatest gift I think. Um, my brother, uh, who died in 1988 was a lover of Japanese culture. He lived in San Francisco. Um he learned the tea ceremony. Um he taught me about ukio. He taught me um about no and bonraku. I fell in love with bonraku. Um and actually I still have not yet gone to Japan. So regardless I need to go to Japan. He never went to Japan either except through his reading and through the art. But the one thing that remained with me, I actually wrote, and I said a misunderstanding of Japanese drama. I wrote a Boon Raku play that we performed in New York with the puppeteer basil twist. The significance though that this had for me leads to indecent and leads to the last play that I just presented which is particularly the no drama completely changed my notion of time western time and completely changed my notion of ghosts because raised as a westerner I was taught that ghosts were supernatural. natural. You know, we think of the ghost in Hamlet that it’s frightening instead of the fact that ghosts are a part of the physical world, that it is part of the universe, that our ghosts are with us always in a way that I feel, you know, I mean, it hasn’t gone away. I mean, it’s really transformed the way I look at theater. So, our wonderful producer called me. I was I was um teaching in Europe and she called me and she said, “It breaks my heart, but I have to close the show. I’m this is a business.” And I said, “I absolutely understand.” And we both cried on the phone. I said, “You know, for me, it never ends. and this was such an incredible gift that you gave me and I’m very very proud. So I hung up the the phone and I had a nice glass of wine that night and you know all all of us this is life in the theater. You go on and lo and behold Daryl posted backstage here in America. We post a closing notice that tells everybody working on the production they have two weeks left. and she put it up and she went home and as she told me later she couldn’t sleep that night. She kept crying and finally her husband said, “Don’t close it. You’re this means you’re not supposed to close it. We can find the money. People will come.” So the very next day after it had been announced that it was closing and we weren’t selling tickets anymore, she ran backstage, she ripped up the closing notice and she called the cast down. Well, she called the cast down and then ripped up the closing notice and she said, “We have only sold tickets for the next two weeks.” She said, “I want you to go out tonight and at the curtain call, you must announce that we’re still running.” It was amazing. People in the audience were crying. Everyone was jammed into the theater because they’d been told they only had two weeks. And from then on, we were at 108% capacity every night. I want to say to Japanese audiences how grateful I am that I feel that Japanese people love and cherish their art and keep it living for younger generations in a way that is not done in the west. And so the honor of this is so significant to me and I want to thank all of you um for giving me so much beauty on the page and on the stage that I’ve been able to see. Um I I hope you enjoy it. Um and thank you
驚異の米国トニー賞3作品合計13部門受賞！今世紀最高の大ヒット・ミュージカル《松竹ブロードウェイシネマ 2025 秋》が贈る、極上の3作品が遂に開幕上映！～映画館の扉を開けたらそこは２時間の小旅行～
公開を記念して、俳優・城田優さんを、「松竹ブロードウェイシネマ 2025 秋」の公式アンバサダーに迎え、先日、就任式を開催いたしました。今回は、数々のミュージカルにご出演、そしてプロデュースなども手掛ける城田さんに、本シーズン公開第二弾「インディセント」（11月14日より特別公開）の見どころや魅力などについて熱く語っていただきました！そして、城田優さんが絶賛するアメリカ演劇の巨匠ポーラ・フォーゲル（「インディセント」原作・脚本）のインタビューもお届けします！
《松竹ブロードウェイシネマ 2025 秋》
第一弾は、第65回トニー賞にてミュージカル主演女優賞を受賞した大スター、サットン・フォスター主演のミュージカル・ラブコメの最高傑作『エニシング・ゴーズ』、第二弾は、ピューリッツァー賞受賞の巨匠ポーラ・フォーゲルによる社会派ミュージカルの傑作『インディセント』、第三弾は、巨匠モーリー・イェストンの音楽で贈る世界中が涙した歴史的超大作『タイタニック』。感動と興奮で心震わす極上の3作品が、ついに開幕！日本映画界史上初、“本物”のブロードウェイの舞台を松竹が皆様へ、《最高な形》でお届けします！（※本シリーズの「エニシング・ゴーズ」「タイタニック」はブロードウェイ・プロダクション版となります）
❑第一弾『エニシング・ゴーズ』10月31日（金）～1週間限定公開
※東劇のみ2週間限定
第65回トニー賞受賞、大スターのサットン・フォスター主演！
世界的な音楽界のカリスマ、コール・ポーター作詞・作曲、
恋と冒険が繰り広げられるミュージカル・ラブコメの最高傑作！
≪STORY≫
大西洋を横断する豪華客船SSアメリカン号に乗り合わせたのは、ナイトクラブの歌姫、結婚を控えた実業家、犯罪者とその情婦など、多彩な旅客たちばかり。恋愛やトラブルが絡み合い、ドタバタの冒険が繰り広げられる。
作詞・作曲：コール・ポーター
監督&演出：キャスリーン・マーシャル、ロス・マクギボン
原作&脚本： P・G・ウッドハウス、ガイ・ボルトン
出演：サットン・フォスター、ロバート・リンゼイ、 フェリシティ・ケンダル、他
英国/2021/ビスタ/138分/5.1ch/日本語字幕スーパー
❑第二弾『インディセント』11月14日（金）～1週間限定公開
※東劇のみ2週間限定
ピューリッツァー賞受賞、トニー賞2回ノミネート、
アメリカ演劇の殿堂入りを果たした巨匠、
ポーラ・フォーゲル渾身の原作&脚本！
≪STORY≫
1907年のポーランド。売春宿の娘とその父のもとで働く女性の恋愛を描いた「復讐の神」が生まれた。この歴史的な戯曲を再び舞台に蘇らせるために、演劇の持つ愛と魔法を信じて、芸術家たちは困難に立ち向かっていく。
監督&演出：レベッカ・タイチマン
原作&脚本：ポーラ・フォーゲル
出演：リチャード・トポル、カトリーナ・レンク、アディナ・ヴァーソン、他
米国/2017/ビスタ/105分/5.1ch/日本語字幕スーパー
❑第三弾『タイタニック』11月28日（金）～1週間限定公開
※東劇のみ2週間限定
世界中が涙した、愛と感動のヒューマンドラマの超大作！
巨匠モーリー・イェストンが奏でる美しく壮大な音楽に、
史実に基づいた真実のストーリーが紡がれていくー。
≪STORY≫
1912年に起きたタイタニック号の沈没事故。出港から沈没までを描き、船の設計者トーマス・アンドリューズ、船長エドワード・スミス、船主J・ブルース・イズメイを中心に、豪華客船に乗り込んだ人々は、それぞれの夢や希望を抱えて旅を始めるが、氷山との衝突によって運命が大きく変わってしまう…。
作詞・作曲：モーリー・イェストン
監督&演出：トム・サザーランド
原作&脚本：ピーター・ストーン
出演：グラハム・ビックリー、マーティン・アランソン、ブリー・スミス、ジェームズ・ダーチ、他
英国/2023/ビスタ/135分/5.1ch/日本語字幕スーパー
――――――――――――――――――――――――
配給：松竹
©BroadwayHD/松竹
❖松竹ブロードウェイシネマ公式ホームページ&公式SNS：
（公式ホームページ）https://broadwaycinema.jp/
（公式Instagram）https://www.instagram.com/shochikucinema/
（公式Facebook）https://www.facebook.com/ShochikuBroadwayCinema
（公式X）https://x.com/sbroadwaycinema
VIVIZINE.COM