【SixTONES 京本大我】デビューから現在までの歌声の進化を徹底分析！

【SixTONES 京本大我】デビューから現在までの歌声の進化を徹底分析！

This is voice trainer Tsuru 3. How is everyone doing? In this video, I would like to analyze the evolution of the singing voice of Stones’ Kyomoto Taiga from his debut to the present. Tsuru’s Vocal Room. Continuing on from Jesse in the last video, this time I would like to compare Kyomoto’s singing voice by taking excerpts of Kyomoto’s part from Imitation Rain in 2020, which was released on June 4th . I think that this opening talk was filmed after analyzing his singing voice, so you already know what it sounds like, but I did an analysis of his singing voice and it was really amazing. The range of his evolution was so wide that I was really moved. I also thought that he must have been working really hard behind the scenes, and I thought that this was also a sign of his love for the people of the capital, which made me even more moved. I’ve analyzed the singing voice of these aspects more carefully and in detail than anywhere else, so please stay with me until the end of the video. And for those who are watching my Stones singing voice analysis video for the first time in this video, in the description, there is a summary or playlist of the Stones singing voice analysis videos that I have released so far , and I have included the URL, so if you are interested in other videos, please check it out in the description under the name Stones Playlist. Tsuru’s Vocal Room This channel is mainly a channel where I, Tsuru, post reaction videos and singing voice analysis videos that convey the charm of artists that I am currently interested in from the perspective of a voice trainer. If you are interested in what I have said today, please subscribe to the channel and give it a high rating. Now, let’s get started with the Stones Kyomoto Taiga singing voice evolution analysis. Good, well, it’s good. 5 Kyomoto’s singing voice from a few years ago has a youthful feel to it, doesn’t it? It feels like he’s creating a sleepy tone with his mouth and nose. The sky and the sky inside his nose are the two that come together to create the flow of the words and sexiness , and he uses a little bit of the sound from his chest to mix in a masculine nuance into his singing. Let’s listen to it again. It’s like he’s breaking down, and then he turns it over into a falsetto, which is really sexy. He also uses a fairly deep type of vibrato, like a fake-ly. If you ask how he uses vibrato, it ‘s the type that raises and lowers the pitch, for example, he uses this note as a reference and lowers it, and the wider the range between this reference note and the note when it’s lowered, the wider the range. The deeper the vibrato, the more difficult it becomes. Personally, I think the deeper the vibrato, the more difficult it becomes. The reason is that the lower the range of the note, the more difficult it is to return to the original standard sound. But the deeper the vibrato, the more emotion you feel, so it’s really worth listening to. With that in mind, let’s listen to it once more. Look, look, look, look , the fakery is breaking down . It’s a really good librato. As you listen, this video is focused on Kyo, so we’ll go into more detail than usual. Now, let’s move on to the next phrase. Yes, that’s good . I think it’s a technique unique to Moto, but when a phrase that is held out for a long time, called a long tone, comes up, There’s no vibrato at the beginning, like a rose , and it starts out straight and then gradually starts to sway like this . I think Kyo often uses this phrase, and it’s also great. It gradually creates an atmosphere of emotion, and as the vibrato sway gets stronger , the volume also increases. In music, it’s called a crescendo, and it ‘s a technique for expressing the strength of emotion by gradually increasing the volume. It’s a super technique that expresses the strength of emotion with the vibrato sway and also with the volume. Let’s listen to it again, like, look, look, look, look, look, look, look, look , the sway and the volume get bigger at the same time, this way of singing. It’s really captivating, isn’t it? Let’s move on to the next part. Yes, it’s really good. Here he uses a deeper voice than before. Earlier I said that it was mainly the nose and mouth, but the key here is to create a voice that focuses on the chest and nose. The atmosphere of the melody’s voice should be something like this, but here he uses his chest firmly and chooses a costume that gives it an added masculinity. Let’s listen to it again, see , it’s like there’s a bit of a classical nuance mixed in, and he opens up his throat a bit here. He’s singing with this kind of sleeping tone mixed into his voice, it’s a really artistic and beautiful voice, isn’t it? The sound of the back is like an orchestra, so in contrast to that, I guess they coordinated it, let’s go to the next one, good, well, the last long ton is really long, I thought it was amazing so I stopped it, but it felt like it could continue on. I think the key to this is the resonance in the chest, he’s putting this in, it’s like he’s using his nose, and the resonance in the chest is the foundation of the voice, so the more you use this resonance, the more your singing voice exudes a sense of relief and security when you listen to it, Kyomoto ‘s singing voice is really reassuring, it’s like he has a charm that makes you want to listen to it forever, let’s listen to it again, this part is amazing , it’s amazing, the key to singing these long phrases is to use as little breath as possible , but even if you just use as little breath as possible If you sing just for volume, the energy will also decrease, so the key point here is how much you can amplify the resonance of the offering. The more you resonate your voice in the space inside your body, the greater the energy. One way to do this is to exhale a lot , so that the energy of your voice will carry over to the air you exhale. But if you do this, you won’t be able to sing long phrases, so what do you do? Relax your body and sing so that your whole body resonates. This may seem very difficult to do just by listening to the explanation, but when you tense up your body, it becomes stiff, and when you relax it, it becomes soft. It’s mainly the muscles that make this movement, but I ‘m sure there are many of you who have already gotten it after hearing this story, but by relaxing your body, the energy in your lungs will increase. The resonating voice is transmitted to the muscles. This resonation is not only in the lungs, but also in the shoes, nose, and all the spaces inside the body. When the body relaxes, the vibrations that resonate in that space are transmitted to the body and then transmitted directly to the outside air. The resonance of the voice is amplified inside the body. When this happens, it becomes a volume that feels like the singer is singing very loudly to the listener. Kyomoto-san has a way of using his voice in this way. This is a way of producing sound that can only be achieved by thoroughly mastering the basics, so Kyomoto-san has an incredibly high level of fundamental ability at this point, it’s amazing. This is the moment when you can see the background of his hard work behind the scenes. Let’s go to the next one. Yes, that ‘s good. The flames in the background of Kyomoto-san singing passionately are also cool. So here, Kyomoto-san is using mixed vocals. I use a voice that’s called “isu,” which is somewhere between my chest voice and falsetto. It’s a really difficult technique, and when you use mixed voice, your voice tends to become thin. The center of your voice’s resonance is your nose or your shoe, so as I said earlier, your voice can easily become thin, but your voice is really thick and high-pitched, isn’t it? It’s a high-pitched voice that really brings out that masculine quality. How does he do this? It’s a mixed voice, but it’s a voice with a lot of chest resonance. When you can do this, you can produce a high-pitched voice that’s sharp and thick. Let’s listen to it again. It’s a beautiful voice, isn’t it? No, really. I’m jealous of Kyomoto’s voice. It’s so beautiful, and the fact that he can sing with such passion despite having such a beautiful voice is just incredibly cool. Let’s move on to the next part. Well I’ll stop here for now. He sings with such passion. Actually, I really like Kyomoto’s voice in Imitation. It’s like a fusion of beauty and the flame of passion, that’s the kind of voice it is. Let’s listen to it again, “time, yes, time”, this is great, isn’t it? I think if you’re a fan of Kyomoto from Stone you’ll understand this feeling, but this way of singing is so sexy. Next up is Boys, which was released on June 4th, 2025. I’ve excerpted Kyomoto’s part here, so let’s check out how Kyomoto’s singing voice has evolved from Imitation Rain five years ago to the latest version. Here we go. The stability of his voice has evolved so much, it’s such a divine change that the word “evolution” doesn’t even begin to describe it. That’s what I think, but first of all, because this part has a low range, the resonance of the chest is the main singing voice . By singing mainly with the resonance of the chest, the stability of the voice is incredible, and compared to five years ago, there is a lot more physical strength in a good way. He is singing in a very relaxed manner, and by singing relaxed , not only the energy aspect I mentioned earlier, but I think the charm of the voice that Kyomoto-san originally possesses really comes out in his singing voice. And what is that charm that he originally possesses ? If I were to say, it would be the atmosphere of his voice when he is speaking. I believe that singing should be an extension of everyday conversation, and the reason is that singing is not originally intended to convey skill. What I think is, this is about conveying emotion , and it may be a little difficult to understand how to convey emotion, but I think that if you sing with the idea of ​​singing a song, you will gradually move away from conveying emotion, so what should you do? This is about speaking a melody, and it may be hard to explain, but I think that singing with this kind of feeling , based on everyday conversation and the words you are speaking just happen to have a melody, will help convey your feelings, and I think that Kyomoto’s phrase just now is exactly that.Let’s listen to it again, see, see, see, your singing voice comes to my ears very smoothly, and you can put this kind of emotion into this phrase, I can feel that he is singing this, and I don’t care if people call him reckless, but I’ll use that frustration as a springboard to get back at him someday. Do n’t you feel this emotion in his voice? I think the shout at the end is the deciding factor, it’s like he’s expressing an angry emotion like, “I’ll get my revenge, you bastard!” at the very end. That ‘s the kind of image I get. I’ve spoken very passionately, but it’s really an incredible evolution. Let’s listen to it again with that in mind. Look, look, at the beginning, he expresses negative emotions like, “I don’t need to say that, even if it’s reckless,” or “I’m a little sad,” but then it changes to anger like, “Just watch me, I’ll get my revenge!” I think this is what I think of as a wonderful singing voice that is an extension of everyday conversation.Let’s move on to the next part.Yes , these high notes have also clearly evolved.This point doesn’t feel very high, does it?But he’s singing in an extremely high range.It ‘s probably about the same range as the part in Imitation Rain where he says “I can’t go back”.But that part in Imitation Rain feels amazing.But even though it’s in the same range, at the moment it doesn’t feel like a high tone.The reason for this is that, here too, the main resonance of the voice is the chest.When the center of the resonance is the chest, the voice becomes thicker, and when the center of the resonance is the nose, the vocal components become thinner.So a thinner voice generally sounds like it has a higher range.Kyomoto-san’s current point is that even though it’s a high note, it’s in the chest. It’s centered on the resonance of the nose, and generally high notes are easier to produce if you focus on the nose, but if you use a technique that’s one or two levels more advanced, you can sing high notes by focusing on the resonance of the chest, and this is where Kyomoto-san’s super technique is on display. Let’s listen to it again, wow, what an incredible voice, he must have practiced a lot, the way he produced this voice is fundamentally different from the way he produced it five years ago, I do n’t think he produced this voice by training for five years based on the way he produced the voice in Imitation Rain, I think he probably pursued and pursued an even better voice, and as a result, he abandoned the way he produced the high notes and started over from scratch to obtain this voice . I think that the way he produces his voice is so fundamentally different. It’s probably diaphragmatic breathing, which is the most basic of singing basics. Let’s start by looking back at that. I’m sure the voice training must have been incredibly long, and he must have also spent a considerable amount of time working on his own voice. I don’t think he could have evolved this much without doing that much. I really admire him, let’s listen to it one more time. Hmm, I’m sorry, I’ve listened to it so many times, but it’s really moving, this voice is just amazing . That concludes the analysis of the evolution of Stones Kyoto Taiga’s voice. Well, this time too, I analyzed the evolution of his singing voice from when he made his CD debut to the present, and I thought the same thing with J-Z, but when you compare his singing voice from just after his debut to now, it’s incredible. I think he has evolved, and because he has evolved so much, you can see that he must have put in a tremendous amount of effort, so I was really moved. I think this is also his love for Stone, wanting to give the best to everyone in Stone. When I think about it that way, I’m even more moved. It’s really amazing, isn’t it, Ima-san and the Stones? When I think about it like this, I feel like I want to support them even more. In the future, I would like to release a singing analysis video of Ima-san’s solo songs, so I hope you will look forward to that as well. Well, that’s the end of this video. If you liked the content of the video, please subscribe to the channel and rate it highly. Well, this was voice trainer Tsuru .

SixTONESの京本大我さんがデビューから現在まで、どのくらい進化したのかを今回は分析してみました！

引用：https://youtu.be/jUUmJCXtFl0?si=B9R_XLJolvxruF-k
SixTONES – BOYZ [YouTube ver.]

引用：https://youtu.be/76I8M6WmR-8?si=HNrXy69zJWNNYqDJ
SixTONES – Imitation Rain (FocusCam @ Marine Messe Fukuoka “TrackONE -IMPACT-“)

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