【INI｜’DOMINANCE’ 歌声分析】INIのボーカル力がすごい理由を教えます！

【INI｜’DOMINANCE’ 歌声分析】INIのボーカル力がすごい理由を教えます！

Login to us It’s Tsuru3, the mini voice trainer How is everyone doing ?This video is the Dominance music video Watch this and I’ll be doing a vocal analysis Everyone from Tsu’s Vocal Room Sasasa The long-awaited new music video has been released The title is Dominance Which literally translates to domination in Japanese, I guess It means dominating the world’s music scene I think I have that much talent and appeal Also, previously in the comments there was a question about the opening talk and I think I replied Sorry I’m a bit vague but in this video I’ll give you the answer to the question of when do I film the opening talk Lately I’ve been filming the opening talk after I’ve finished recording the vocal analysis video The reason is that I want to tell everyone my thoughts on the vocal analysis at the opening talk stage That’s the biggest reason Once I did it it felt really right For me it was like an introduction to the plot, and now I did a vocal analysis this time too, and it was just amazing . The evolution of each member ‘s vocals this time was really amazing . There were some parts where I felt that it would be impossible to get a voice like that without a lot of practice, so I was really moved. I analyzed the vocals more carefully and in detail than anywhere else, so please stay with me until the end of the video. Tsuru’s Vocal Room This channel is mainly a channel where I, Tsuru, publish reaction videos and vocal analysis videos that convey the charms of artists that I’m currently interested in from the perspective of a vocal trainer. If you’re interested after hearing what I just said, please subscribe to the channel and give it a high rating . Now, let’s get started with the dominant vocal analysis. Tashi-kun is great, hey, he’s so cool from the start. As expected, the impact of the release is amazing in music videos, is n’t it ? It ‘s really cool. Let ‘s continue. Good, good, good, yeah, I stopped it. Taji-kun, who is in charge, Lift Hito-san, and Nishi-kun. I stopped Nishi-kun’s part for a bit, so I’ll stop it for a bit . I’d like to play this before Nishi-kun starts singing, it’s already the golden line, isn’t it? The three of them sing rap one after the other, starting with Nishi-sponsored rap. Yeah, it’s good. The opening of the melody is by Masaya-san, and it feels like his singing voice has been further refined. What do you guys think? It’s become so much lighter, and it feels really good and relaxed. Let ‘s listen to it one more time, and let’s play it a little longer. Look, look, look, it has a really fluffy feel to it. Masaya-san’s previous singing voice was centered around the thickness of his voice, the resonance point that produces cool vocal components for men, and the air resonance in the mouth, which makes the contours of the words clear. But this time, Masaya-san’s voice has become smoother, and the main sound is the spatial resonance in the nose that controls the color of the voice. This resonance is stronger. Masaya-san’s voice this time has a fluffy atmosphere and a very gentle feel to it, isn’t it? As I said, it’s made with the vibration resonance in his nose, right? You’ve really trained your singing, Masaya, that’s amazing. Let’s move on to the next one. This time Kyosuke is singing a melody rap, right? This is cool. Unlike his usual beautiful singing voice, I think he’s chosen a really cool voice to rap with this time. As for how he’s producing his voice, in contrast to Masaya, Kyosuke usually sings mainly with the Misora ​​resonance in his nose and the Aerial resonance in his mouth, but this time he’s rapped mainly with the Aerial resonance in his chest and the Aerial resonance in his shoes. And each word is He sings with a cutting sound like this, and the use of staccato is really cool.Let ‘s listen to it again.There ‘s a sort of braking, like a pause, right?This is the power of the singing voice that is born when you use staccato.Wow, it’s just amazing.Let’s move on to the next part.Wow, Nishi-kun, this time he’s really been getting excited this whole time, it’s amazing.Nishi-kun is singing in a much higher range than he uses in his raps, but the coolness of his usual raps hasn’t disappeared at all.Here I felt that Nishi-kun ‘s singing voice has evolved, and I mean what has evolved is that the fundamental parts of singing have improved so much.Some of you might be wondering what the fundamental parts of singing are, and it’s the way you breathe and how you use your body.In singing, the basic technique is called diaphragmatic breathing. I mainly use a breathing technique that makes my stomach expand like this. By inhaling in this way, I am able to use my body in a way that directly tenses the abdominal muscles used in singing . Once you can do that, you will be able to sing without putting any unnecessary force into your body. The less force you put into your body when singing, the better your voice will sound. Imanishi-kun has achieved that kind of breathing, it’s incredible. Let’s listen to this one more time. He has a cool, powerful voice that is cool, but when you listen to the fundamental atmosphere of his voice, you can feel a very relaxed atmosphere. Wow, you have acquired an incredible voice, Nishi-kun, let’s go next. That’s good. Ji-san has a very edgy voice . Ji-san has a sweet and sexy feel to his singing phrases, and this sweetness too . Neji-san creates it with the air resonance in his nose, and I think the volume is quite restrained. It really feels like it’s singing next to my ear. な気分になっちゃうから気をつけろ！！ 固まったら完成！！ English: Let’s listen to it again. Yes, the first half is slow and the second half has stronger staccato to express a sharpness. When I listened to it the first time, I might have described it as having a fluffy feel overall, but now that I listen carefully, I can see that the atmosphere of the song is different in the first and second halves. Yes, the variety of expression has also improved. Yoji, let’s move on to the next one . Yes, I’m sorry, I just listened to Taru and Juda back to back, but the points just now were Taru’s sharpness and Juda’s voice, which is a bit sexy, which is a characteristic of Juda’s voice. Taru uses the technique called stacka that I’ve been talking about, and Juda uses a technique called legato, which means he sings the phrases smoothly overall. Let’s listen to it again, yeah, yeah , Judas sounded legato, but by making the scene stronger he expressed a strong sound called an accent, so maybe that’s why it feels so smooth, but the strength of the C is what gives the song a sense of dynamism, let’s go to the next one, good, good, after all, the best thing about IIN is that there are points where they sing one phrase at a time with a sense of speed, I don’t think there are many vocal groups that do this, I think it’s unique to them, the flow is that Licht sings a lot in the first half and then Fenfun sings at the end, this part is cool, let’s listen to it again, good, so the point with Licht and A lot is that they use the high melody called an octave, but the low melody, these two They are singing in parts, and an octave is the relationship between the notes above and below Do Re Mi Fa So La Si O, which is called an octave, or one Do Ri Fa So La Si Do, so it’s called 100 million turbs . Professional vocalists say their vocal range is 400 million or 300 million turbs, which is an expression of how many Do Ri Fa So La Si Dos. So , going back to the point, the point of Licht and Takumi’s current performance is the phrase where they are singing the same note in this octave relationship of 100 million octaves. Let’s move on to the next part. Good. Well, I’ll stop here for now. It’s also very rare for Hiro to sing such a low note. I feel like all the members of IN are challenging themselves with something new this time . I think that up until now, II has been about each member bringing together their strongest weapon in this way. That was the impression I got, but this time I wanted everyone to take a look at each and every one of their new weapons, and I can really feel that feeling, it’s really cool, and one of Hiro’s points is that even though he sings in a really low range, his voice feels really fluffy, and it doesn’t feel heavy or low. As for how he produces his voice, he uses a method of production that puts most of the voice into his nose, and Hiro is originally really good at using his nose , and people who are good at using their nose can sing very beautifully when singing high notes, so Hiro’s voice is really beautiful, isn’t it? The way he uses his nose is what makes Hiro’s voice so beautiful. Let’s listen to it again, hmm , it’s good. This time’s Dominance II makes me feel more and more excited about what kind of singing voice is waiting for me next . When I heard the intro, I thought, doesn’t this kind of tone bring back memories? When they first debuted, they had a lot of atmospheres like this, didn’t they? I’m really happy with that , including the songs . This time’s Dominance will move on to the next one. Yes, it’s cool. I’m not very good at whistling, but now it’s dada-da-da-da-da-da-da-da-da-ta-da-ra-ta. The point here is that there’s a “chiisai” between the “da” and “da”. Nishi-kun sings in that style overall, but what role does this “chiisai” play musically? If I were to say “ruka”, it would be something called a “sound of accent”, and the sound after the “sound of accent” changes to a stronger sound, which I explained earlier with Yu-san, called an accent. The lyrics are very simple, just dada-da-da-da-da, but it has a great sense of dynamism, doesn’t it? The “sound of accent” is inserted between “da” and “da”, which gives it this nuance. Let’s listen to it again, it’s good , the last part by Taji-kun is cool, and I feel like I haven’t heard the ethnic percussion sound in the background in IN’s songs recently. This is just my own imagination, but I think that by releasing a song with the atmosphere of their first year’s debut at this time, they could achieve a different appeal than they did back then. I think the members of II were singing this with that message in mind, and like I said before, this is just my own opinion, but I can’t help but think that way. Even though I only think that, it’s really emotional. Let’s move on to the next song. Yes, yes, yes, yes, Ji-kun’s voice has definitely evolved too. It was Ji-kun’s voice just now, and in a really good way, it’s like the touch of his voice has gotten lighter, but that lightness is actually really cool, it’s kind of cool in a condescending way. I think that this point of Kane-chan’s singing is that he’s singing with a relatively low energy, and he puts most of his voice into his nose, that’s the way it comes out . Let’s listen to it this time. Yes, his pronunciation has changed a lot. His English pronunciation was originally really good, but I think his singing style is similar to his English pronunciation in his Japanese pronunciation . It’s really cool. Let’s move on to the next part. It’s so cool. This scat part of “dadadada” really sticks in your mind. It’s an impressive phrase. I think the point now is Masaya’s voice. Everyone’s voices have changed so much that it sounds like they’re wrong. I can’t help but feel that way, but if I’m wrong, I would appreciate it if you could explain in the comments. Tsuru, you said Masaya there, but is it really so-and-so? It would be helpful if you could follow up with something like that. The point now is mainly the chest and mouth, so it’s not the soft voice that Masaya used earlier, but this one has a sharp, cool voice. Let’s move on to the next part. Okay, it’s so cool. There were a lot of changes just now. Everyone’s voices have really changed. I wonder how much they must have practiced singing. The fact that a singing voice can change so much in a good way is proof of the amount of practice you can’t imagine. Singing is something you do once a day. There is no guarantee that if you practice for two hours a day, you will be a better singer a year later . Singing is about making new discoveries and discovering new ways of using your voice while practicing. Without these realizations, you will not grow or evolve. So, in order to make new discoveries, professional vocalists practice for long periods of time, such as four, five, six, or seven hours a day. If you practice for long periods of time , the chances of making new discoveries increase. If you practice one hour a day, every day, that’s 365 hours in a year. This is simply 4 If it’s doubled five times, that would be 1500 or 2000 hours, right? If you think about it in total over the course of a year, there’s a huge difference in the amount of time spent working on singing, and when that happens, the number of new discoveries will increase by several times, dozens, or even hundreds of times. The more new discoveries you make, the better you’ll become at singing, and I imagine that the members of Iya must be working on singing for about eight hours a day, so their voices have really evolved. And Takumi’s current strength is the way he sings, which is amazing. Up until now, his wonderful voice has stood out, but when you add this cool way of putting accents to it, I think it’s just the best . Let’s listen to it once. The way you produce the low notes is also really cool, it’s the best. Let’s move on to the next one. Lift-san, I think the position where you produce your voice has changed since before. Before, you had a singing voice that brought out the low sexiness that is Licht-san’s voice’s characteristic, and I think this is the part where you produce your voice. So in my mind, I imagined him producing his voice from around here, but now it’s gone up a little, and a freshness has been added to the masculine sexiness . To change the atmosphere of your voice, it really takes intensive practice. As I said before, this leads to new discoveries. Let’s listen to it again. I see, you’re using your nose a lot more powerfully than before. So your voice sounds fresher. I see , this level of expressiveness has really improved, it’s amazing, this time amazing isn’t enough so I’ll use the word amazing to describe it, but I feel that this is the biggest evolution ever. Moving on to INI , Taji’s voice has really changed into a unique singing voice, and Taji ‘s use of his nose has also evolved immensely. As I said before, when you evolve the way you use your nose it becomes easier to sing higher notes, but its main role is to control the tone of your nose, so when you master it, it’s possible to create a one-of-a-kind singing voice. It feels like Taji is stepping into that realm, he was already a bundle of incredible talent, but when it comes to singing, I think he might be the strongest ever . Let’s listen to it for a second time, so Taji sounds really young in this episode, doesn’t he? In a good way, it seems like he’s gotten younger. I don’t think so. Everyone has dyed their hair, I think they had hair this color before too, so I wonder what has changed? Maybe it’s the makeup? He’s already a good-looking guy, but he’s become even more good-looking. Let’s move on to the next one, Nishi’s voice has an irresistible power to it, doesn’t it? As expected, when you learn to use your abdominal muscles, the power of your voice increases. You take a deep breath, right? By putting a lot of strength into your abdominal muscles, the recoil of your abdominal muscles will allow you to let out a bang. So when your abdominal muscles become stronger, The stronger it gets, the more air comes out of the mouth, resulting in a stronger voice. Nishi-kun has become extremely good at using his abdominal muscles, let’s listen to it again. Hmm, good, strong voice, and the way he accentuates the sounds is extremely good, so I think the word “cool” really suits this phrase in the song. Let’s move on to the next one. Good, after Nishi-kun’s powerful singing, Judah-san ‘s current point is, in a good way, a voice with a strange emotion. I feel that the aesthetics of singing lie in points like this, and it’s precisely because he sings so naturally. It’s the listener’s imagination that gets written down. Is he singing with sadness, or is he expressing calmness, or is he expressing a fierce flame within his calmness? In these ways, I can’t help but imagine the singer’s emotions. No, I think that’s a great point of Judah’s. Let’s listen to it once more. ” Wow, it’s cool,” is cool. Let’s move on to the next part . Good. Well, it was Fenfan right now. Fenfan just used his voice very skillfully, did you get that, everyone? The high notes just now were soft, and the low notes were heavy. He sang by dividing them into different ranges of breath. This is the point where the natural flow of the voice is expressed directly in the song. The voice is high, The sound is lighter on the top and heavier on the bottom. For example, a high voice goes “ah” and a low voice goes “ah”. This refers to the direction in which the high voice comes out. Naturally, the high voice comes out in the direction upwards and the low voice comes out in the direction downwards. However, Fenfang always comes out with both high and low voices in the same direction. For example, “ah” and “ah”. This leads to the fact that there is not much change in the number of notes for high and low voices. This time, he deliberately expressed the natural atmosphere of his voice. It is very difficult to sing out loud when you are not normally aware of it, but Fenfang is taking on this challenge, which is amazing . Let’s listen to it once more. Yes, that’s good. I think he wanted to express a heavy, suspicious atmosphere with a low voice. The melody also has a somewhat mysterious feel to it, so perhaps he went for a voice to match that. This is just my imagination, so I don’t know if it’s true or not, but that’s how I feel. Moving on. Here, Jin sings with a really manly, cool voice , and the cause of death is strongly stated and the payment is firmly decided, so the sense of dynamism is incredible. This is really cool. Let ‘s listen to it once more. Yes, your body just starts moving on its own. The dynamism is so amazing that I wonder if he chose this voice to express a slightly evil atmosphere. His expression at the beginning of Sabi’s voice is really glaring, so I think he wanted to express that kind of angry emotion. Moving on. Rito’s voice is really soft, as I thought. It’s a softer touch, isn’t it? But it’s not like the sharp, edgy feeling you heard before has disappeared. The cool parts from before remain intact. It’s as if the surface of that coolness has been gently wrapped in something like an oblate. It’s a cool voice, but it’s now very easy to listen to. It’s amazing. Let’s listen to it again. Look, look, look, but I wonder if they aimed for this voice and singing style? The pronunciation is a little subdued. Compared to Rito’s voice, maybe Ji-san gave a very strong impression of the cause of death in the first half, so Hito-san deliberately sang it like this to create a relaxed and calm atmosphere afterwards. If that’s the case, then I feel that they have an incredible amount of teamwork. Let’s move on to the next one. Yes, this voice is amazing. Taru-san has a very mysterious voice. I think it’s amazing that just hearing your voice makes you feel an atmosphere other than anger, sadness, or happiness. I think it’s amazing that I can express myself in a way that is human. It’s a part that doesn’t express the emotion that I feel, so as expected of Taru-san, I imagine that the lyrics are probably da-da-da-da-da-da-da, but I think he sang the vowels in a similar way to o, like do-do-do- do-do, and I think if you sing with your mouth lowering your lower jaw like this, it will create an atmosphere like that, like do -do- do-do-do-do.Let’s listen to it again, yeah, if you listen carefully, it sounds like it’s close to da, doesn’t it? I think that’s probably how he pronounces it, and I think that’s what gives his voice this mysterious atmosphere.Let’s move on to the next one.Yes, what a great voice.The addition of Misora’s voice makes her voice sound innocent in a good way, I think it creates an atmosphere that makes her feel cute and golden.She got a little excited and spoke too fast, making some of her words hard to hear.な English: Sorry, let’s listen to it one more time. Yes , it’s good, very good, as expected, let ‘s move on to the next one. Here comes Kyosuke’s style. Kyosuke, doesn’t your voice have an incredible clarity? It’s like it has a spring to it, no, I can’t. I think I probably imagine my voice as pulling back overall, so that’s one image. Plus the image of putting my voice in my nose and putting it out in front. I think he sings using these two images. If it’s only in front, it becomes a spring, and if it’s only in the back, it becomes like a spring. This kind of tension is lost, it comes out gentle, but if you sing from the front and the back, your voice still has a certain amount of tension, but it becomes a soft voice. It’s quite difficult to sing with these two images, but with Kyosuke, it’s no problem, I think he must be practicing a lot behind the scenes. Kyosuke, I think he’s a man who works hard, so I think he practices a lot. Let’s move on to the next one . People are singing one after the other, and now when I listen to Kyosuke’s voice, there’s a faint sound of his breath mixed in with his whisper voice, and he’s using this, and I think this is one of the reasons why his voice sounds so soft.Let ‘s listen to it again, yeah, yeah, that’s right, it’s like la la la la, but there’s a faint sound of his breath mixed in, it’s amazing.Now let’s move on to Hiromu’s part , yeah, yeah, this high temperature, needle-like feeling and androgynous atmosphere is just the best, and Kyosuke sings softly and gently and then Himu’s part changes and it suddenly builds up with power , it’s called a crescendo end, and the volume gradually increases and the excitement builds up, this crescendo feeling is really cool, let’s listen to it again, A place you can’t fall down is waiting, yeah, it’s good, and at the beginning, the feeling of throwing away your breath at this part that no one can reach is really sad and cool, it shows sadness in the first half and then an emotional explosion in the second half, this flow is really cool Let’s move on to the next part. So far, it seems like Fenfan sings one phrase and Ta sings one phrase, and I think Fenfan just chose his usual voice, but Ta’s voice after that is really emotional. The reason for this is that he mainly uses the resonance of the chest, Kyomei. I think I explained this at the beginning of the commentary section of this video, but the resonance of the chest is a resonance point for bringing out masculinity, and it’s also the point where the voice resonates, so the more resonance in the chest voice increases, the more manly the voice becomes. Let’s listen to it again. Yes , yes , yes, that’s right. Fenfan creates a soft atmosphere with his mouth and nose, and Takumi mainly uses the resonance of his chest and uses staccato overall to create a masculine sound, so it really feels like it’s moving on. Let’s move on to the next part. Now comes the part where everyone sings together. As expected, when everyone sings together, the thickness of the voice increases a lot, so it really raises the tension all at once . Let’s listen to it this time, yeah, it’s good, I thought they were going to go straight into the last big part, but there’s a bridge-like highlight here and then it goes to the last chorus, I think. We’re going to the next part, yeah, no, so it was a break now, I see, the sound just stopped here, so it was just a reaction, I stopped the music video too, sorry, let’s go from just before the break, yeah, I thought Taji has changed the way he pronounces words drastically, now when I think back calmly to the atmosphere of Taji’s voice in the part before the chorus, I think the way he pronounces words is really unique, no, I think that was a great idea, it’s a song that really feels like Taji, let’s listen to it again, it’s like, “da”, but it’s perfect, it sounds like he’s saying “ do”, I think he probably sings with his mouth thrust forward like this, I think rather than singing it, he recorded it, the nuance is something like “da”, isn’t it, I think it’s probably something like that, move on to the next part Yes, I think Masaya’s voice just now was chosen to sing from a voice he has used before. It’s centered on his chest and mouth, or rather the mouth is the focus, so the nuances of his voice when he normally speaks come out fully, and the charm of his voice that he originally had comes out . Let’s listen to it again, hmm , it has a certain warmth to it, doesn’t it? The usual Nemaya, his voice exudes kindness. Let ‘s move on to the next one. Yes , Takaru is showing off his sexiness, as expected. Netaru’s voice has a mysterious feel to it, doesn’t it? I think he probably coded his face to be expressionless as well. So when you listen to his voice, it’s a voice that doesn’t correspond to any of the emotions of anger, sadness, or happiness. In fact, I think it’s very difficult to produce a voice that doesn’t correspond to anger, sadness, or happiness. After all, he’s human, so I’m sure his voice will correspond to somewhere, but the way I heard it doesn’t fit anywhere, it’s an extremely rare voice, let’s listen to it again, hmm, it’s cool, as expected. Let’s move on to the next one. Kyosuke’s voice is different from usual. I think it’s a choice, but I think one of the reasons is that he’s singing in a much lower range than he normally sings. However, I don’t think the previous Kyosuke’s voice that I knew would sound this manly. The reason is that Kyosuke’s voice used to be centered around the nose, so even the low notes are centered around the nose, so his voice is very gentle and easy to listen to, but if you asked me if it had a truly masculine voice, I don’t think I would say that. I don’t mean to say this in a bad way, but no matter which one you listen to , Kyosuke had an incredibly beautiful voice, and that’s the image I had of him before. But this time, he’s using his nose for these low notes, but he’s also using the resonance of his chest just as much, so I think he’s started to use his whole body more than before in controlling the resonance of his voice. I used to think that even the previous Kyosuke was a genius, but no one can beat a genius who works hard. He’s constantly evolving, so I think he’s already 100% Let’s listen to it once more. It’s wonderful. Nekisuke is the best, as expected. Let’s move on to the next part. Lift’s pronunciation is cool, but it seems like he’s using a scene that also has a J pronunciation mixed in, and it doesn’t sound like it’s a ja. This is cool, isn’t it? Let’s listen to it once more. It’s good. This scene with the dark feel of the background and the Inabika shining is really cool. Let’s move on to the next part. Is it Taji for now? But it feels like the whole group is singing and the focus is on Taji’s voice. It feels like the unique use of the sea from before is lifted for once. Let’s listen to it once more. Yes, it does feel like that. Does it feel like he’s singing to the whole group? If you know more about it, please let me know in the comments. Let’s move on to the next part. It’s good. It was a scene where Hi was faking while singing as the main singer. I personally think that without this, it doesn’t feel as good. Let’s listen to it once more. Yes , everyone is singing with a rusty voice, right? After all, it’s because they’re singing such low notes that the resonance of the chest is really necessary. So maybe this time, INI I wonder if the members of have been doing more voice training than ever before to hone various points of resonance, and if that’s the case, then I think that explains the overall evolution of the singing voice this time. When the level of the basic parts goes up, the overall singing level goes up by one or two ranks. When the foundation is solid, the technique you’ve had up until now also goes up a level, or something like that. Next we’ll move on to Domino. I see, so it ends with a cut-out, and then Nishi-kun. Nishi-kun’s voice has a sense of power, and the way it ends so cleanly is really cool. There are 8 more songs. We have a few seconds left so let’s take a quick look. That fist pump is cool. Mindance was amazing. That’s all. II Dominance vocal analysis ends here. Wow, Dominance has come on, it was just like in, I think I said this a few times during the vocal analysis, but I felt that this song in Dominance had the atmosphere of a song from about a year after they formed. However, the singing voices of the IN members have evolved so much since their debut, so even if they sing songs with the same nuance, the worldview is totally different , I was really moved by that. So I think that the atmosphere of songs like this one in Dominance is very in . I really like catchy songs that have a bit of an atmosphere like Bombarda, but I think this kind of addictive song, the more you listen to it the more you feel its charm, it’s like a catchy song and I think that’s what makes it so INI. I was really happy listening to all of the dominance songs this time around and I’m sure there are other MI fans who feel the same way, but I was really moved and I want to continue to follow INI with all my might. That’s the end of today’s video. If you enjoyed the content of the video, please subscribe to the channel and rate it highly. Well, this was voice trainer Tsuru.

今回の動画はINIの『DOMINANCE』ミュージックビデオの歌声分析です！INIの歌声の特徴や歌い方を丁寧に細かく解説してます。ぜひ、分析を参考にINIの音楽をさらに深く楽しんでください！

引用：https://youtu.be/1NY-tAGiW5M?si=HN6EvY_8U1nuSvdR
INI｜’DOMINANCE’ Official MV

INIリアクション再生リスト

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