【SixTONES 髙地優吾 にたものどうし】隠された歌声に大喜びの歌声分析！

【SixTONES 髙地優吾 にたものどうし】隠された歌声に大喜びの歌声分析！

This is voice trainer Tsuru3. How are you all doing? This video is the YouTube version of “Nimimono Doushi” by Yugo Takachi of the Stones. I’d like to analyze his singing voice by watching it. Tsuru’s Vocal Room. Today’s video is from the music video on the DVD included with the Stones’ 16th single , Star Gauge, which will be released on September 10th. It features Matsumura’s “Kosei no Arch” and Jesse and Nijimaki’s “Nimimono Doushi .” These three videos are included, and I’ll be presenting a singing voice analysis video of the YouTube version of Takachi’s solo song, “Nimimono Doushi.” Matsumura’s “Nimimono Doushi” was also released before this video was released. It’s the thumbnail video, so please take a look if you’re interested. I also analyzed Takachi’s “Nimimono Doushi” singing voice, and wow, he has an incredible voice. Of course, he uses that cute, boyish voice he uses in the Stones, but he also uses a lot of voices that aren’t usually used in Stones songs, and at the very end, he uses a surprising vocal technique. I’ve analyzed the singing voice with more care and detail than anywhere else , so please stay tuned until the end of the video. Also, there’s a playlist of Stones singing voice analysis videos I’ve previously posted on Tsuru’s Vocal Room . Along with Matsumura’s “Shokei no Arch” mentioned earlier , I’ll also include the URL for the playlist in the description, so please check it out. Tsuru’s Vocal Room. This channel primarily features reaction videos and singing voice analysis videos that convey the appeal of artists I’m currently interested in from a vocal trainer’s perspective . If you’re interested in what I just said, please subscribe and like the channel . Now, let’s get started with Coach’s similar singing voice analysis. Wow. It’s Wampa. I wonder if this time it’s this fun feeling? Coach’s music videos suit this kind of fun feeling, though. Let’s continue. Similar things don’t always work. Oh dear. Is that bunny inside Coach too? This is sure to have me smiling nonstop. So, what kind of voice is Kochi using this time? When he sings with the Stones, he mainly uses the mouth, flower, and air resonance, which control the volume of the voice , and the nasal air resonance, which adjusts the tone of the voice and produces high notes. These two are his main voices. But this time, for Kochi’s solo, his vocal technique is a little different. He creates a chorus centered on the resonance in the lungs, which controls the thickness of the voice, and the air resonance in the nose, which I mentioned earlier . My usual impression of Kochi’s voice is that of a boyish, unassuming man. That’s the image I had, but this time, Coach’s voice sounds more like an older brother. Let’s listen to it again. They say that similar things don’t work well together. Yes. So, he sings with a clear pronunciation of the words overall. I think her clear singing style, like she’s not just like each other, but like she’s like her friends, creates an atmosphere that matches the rhythm of this cautious song. Moving on. I love you. Yeah. Yeah. Did you hear that high note just now? It’s incredibly soft. Her natural voice is so soft it almost sounds like it’s coming from behind. I guess her natural voice is more like a mix between natural and falsetto. When you imagine your voice, you pull it back like that to create a soft voice. I think Coach had that image in mind when she sang that high note, so let’s listen to it again. But I’m watching “I love you. ” Yeah. But the “I love you” part in “I love you” was really soft, wasn’t it? I think it’s a mixed voice with a pulled-back image. I think that’s correct. Moving on. Oh, your smile is lovely. It has a very innocent feel, which I think is a perfect match for Coach’s image. The fun atmosphere is directly conveyed in this music video. Let’s listen to it again . It’s nigiri noodles. Yeah. Seeing such a lovely smile, it’s hard not to grin, too. And, in terms of the singing, it feels like she’s recreating the singing style I explained earlier, but it’s actually very difficult to recreate the same thing twice in a song. Singing , unlike an instrument, is a hugely sensory experience. So, even a slight change in sensation can make a big difference in the song, and that’s the trick . Her reproducibility is incredible. Moving on. Yeah. Oh dear. Yeah. Were those girls from earlier? Were they juniors? It ‘s wonderful that juniors can reveal themselves in music videos like this . Let’s take another look at it now. Yeah. They have great singing voices, and I think Kochi’s idea of having juniors appear instead of dancers is brilliant. It’s like they place importance on the juniors, but it’s kind of nice. Moving on. Risore’s Uine . The way Sanoko pronounces the “sa” in the song is incredibly gentle. The key here is the overall staccato, where each note is cut short. Using this, the song expresses a sharp, ethereal atmosphere. Kochi-san, let’s listen to it again. ” Toori de i sore” (from afar). That’s nice. Your gentle vocals, the bright, fun atmosphere of the song, and the bouncy rhythm all blend together like a whole. It’s like a unified whole . Sorry, I meant fusion and unification as the same thing. This sense of unity is wonderful, and it’s so comfortable to watch the video and listen to the music . It also has a perfect summer vibe, making it the perfect song for this time of year. Let’s move on. A miraculous voice, running toward the same goal. Yes. Hessie’s delivery was super cool, wasn’t it? The first half is refreshing, but around the “Hershey” part, her voice changes to a cooler one. The pronunciation of the “shi” is a big factor in expressing this cool vibe. I think that’s a big part of it . He sings with a strong emphasis on the “shi” sound, with a strong accent . Let’s listen to it again. We’re running toward the same goal . Yeah. I think the change from “nori” to “koi” (aim for it) to the cooler pronunciation around the “hashi-tei” bridge. This gradual change in “ko” is really cool. Let’s move on. I was thinking of ” mi,” and I think the voice in this part is the boyish, unassuming, gentle singing voice of Coach that I hear in his songs. I love it. How Coach produces this voice is that it’s centered on the nose. Ozora Noriaki’s voice has a strong resonance, and when a man sings with a nasal center, his voice gradually becomes less childish. I think Coach is using that quality well in his singing. Let’s listen to it again . See, see. Yeah . That’s good. This cute-sounding voice is lovely, isn’t it? Let’s move on. You and I are definitely connected by some kind of connection. Yeah. So, as I explained earlier, the lyrics for this phrase are different, but it’s the same melody line, and it changes from a cute feeling to a cool feeling. It’s basically the same flow here, but in terms of the vocal technique, the first half is centered around the nose , but from the middle to the second half, it’s a mix of the chest resonance, which controls the thickness of the voice, and the nasal co-space resonance, and it returns to the singing voice . It’s like going back to the vocal technique used at the beginning of the A-melody. So this time, I’m singing using two voices: the Coach voice I used with the Stones and the Coach voice I used in this solo . Coach has great expressiveness. Let’s move on to the next one. It’s always good to get closer. Yeah. Yeah. Did you notice the strong parts of this scene, everyone? Like this around there. It’s super strong, isn’t it? So, here, it’s the chest and nasal resonance I mentioned earlier. The singing is centered around these two. Let’s listen to it again. It’s always good to get closer. Yeah. It’s cool. Shin’s pronunciation is so strong it’s almost comforting. This is cool. Moving on. It’s necessary for stopping. Yeah. The rhythm here has a really relaxed feel to it. Here, I’m using a triplet rhythm. It ‘s a high-pitched, high-pitched, high-pitched rhythm like this against the count, and when this triplet rhythm comes on, it creates a relaxed atmosphere, and a slightly mysterious feel. It’s a rhythm that’s often used in rap, so let’s listen to it again. It’s necessary for stopping snowplows. Yeah . So, sorry. I know this is a little late, but it seems like Coach was inside Usagi after all. I kind of thought Coach was inside her. Moving on. Wow , wow, wow. This high note is insane. I think this is the first time I’ve heard Kochi sing this note. Here, it’s a perfect mixed voice. Lalalala, that’s high. Incredibly high. In this part , mixed voice increases the amount of voice you put into your nose, but as I said earlier, if you just increase the amount, your voice will sound too childish, so the key is to increase the amount of voice you put into your nose while maintaining the resonance of your chest. The higher you sing, the more you relax your body. This naturally switches from your natural voice to falsetto, but even when you switch to falsetto, the tension of your natural voice is maintained. That’s mixed voice. Kotsu-san uses that voice. Let’s listen to it again. It’s coming. Yeah . So it sounds like this without having to buy it. It’s expensive. Controlling your voice is really difficult, as expected. And the coach who sings it so coolly is amazing. Let’s move on to the next part. It’s because you really know it from your heart. Oh, I see, it’s a melody rap feel. The melody is quite strong, but I think Kotsu-san probably sings it with a melody rap feel. If that’s the case, then I guess it explains the severity of the cause of death and other things like that, and there are a lot of parts that make sense to me, but let’s listen to it again. Because they really do understand each other deep in their hearts. Yeah. This “understanding” and the way he says it sounds like melodrama. I think that’s probably what it is. Coach just made this face, so I tried to imitate him, but let’s move on. It’s not good. Yeah. The dance is cute too. And the junior girls are dancing together in the background. This sense of unity is great. And the coach is cute too. Let’s listen to it again. It doesn’t work. Wow, that’s good. It’s a really good scene. It seems like everyone is friendly, and the atmosphere is really heartwarming. Let’s move on. They say “I love you.” Yes, that’s right. Looks fun. Let’s jump once. Looks like a lot of fun. Wow, that’s good. I’ve been having a bit too many bad things happen to me lately, so Kochi-san has been a great comfort to me. I’ll move on to the next one. Oh, that’s good. These junior girls are so cute. You can really tell from the video that the coach cares about his juniors. And it’s really refreshing to see the coach dancing so enthusiastically. They’re so cute, aren’t they? I’ve said this many times before. I’ll move on to the next one. Yeah. Ah, it felt like the atmosphere was about to change a little from here on out. The atmosphere was about to change. I say “atmosphere” a lot. I’ve been editing videos lately, and I thought “atmosphere” was a bit of an exaggeration, so I cut out quite a few parts in the editing, but it’s a catchphrase. It feels like the atmosphere is about to change from here on out. Let’s take a listen. Wow, it’s amazing. Isn’t that voice insanely high? Wow, you can make that high a voice ? Kochi-san. Isn’t that a bit of a giveaway? It’s a perfect mixed voice. Is the phrase something like this? It almost feels like he’s singing in falsetto. But as I said earlier, he keeps the resonance in his chest, so the tension in his voice remains even in falsetto. That’s why it sounds more like his natural voice. That’s mixed voice, and what incredible vocal control! Let’s listen to it again. Look, he sings the phrase “King of Phrase” beautifully, using mixed voice. It’s amazing. Moving on. Yes. And after singing a super high note in the mixed voice, he suddenly lowers the note to about the mid- range . That’s difficult. I think the range is about 200 million turbulence. And singing it all the way through is difficult, but amazing. Then he sings the current phrase staccato, expressing a sense of cheerfulness. Moving on. Yes. That phrase continues one more time. The second half of the song is in the high range like this. Wow, I’ve discovered a new side of you, Coach. That’s amazing. Moving on. No, it’s not. Yeah. Oh, I guess it ends here. If you want to hear the full version, please purchase Stones Stargaze, which will be released on September 10th, and listen to it in full. That’s it for the Stones Coach and Go! They’re similar. That’s the vocal analysis. Well, with this solo song by Takachi , I was able to discover a charm in his singing voice that I hadn’t known before. The thing that surprised me the most was the high voice at the end. I thought his control of that mixed voice was incredible, and I think Coach is the best when it comes to expressing a fun or good atmosphere, so I think this song was a perfect fit for Chi’s similarities. I’ll continue to follow him with my full strength. That’s the end of this video. If you enjoyed the content, please subscribe to my channel and give it a high rating . Well, that’s it for voice trainer Tsuru.

SixTONES – にたものどうし (Yugo Kochi) [YouTube ver.]がSixTONES公式youtubeチャンネルにて公開中！
この動画はSixTONES – にたものどうし (Yugo Kochi) [YouTube ver.]をボイストレーナーのツル３がどこよりも丁寧に細かくをテーマに歌声分析をしている動画です！

引用：https://youtu.be/mW2hsVQhuG0?si=Gnzp12gxW-XtKmXx
SixTONES – にたものどうし (Yugo Kochi) [YouTube ver.]

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