INI尾崎匠海 & 藤牧京介’プロポーズ’の素晴らしすぎる歌声を徹底分析！

INI尾崎匠海 & 藤牧京介’プロポーズ’の素晴らしすぎる歌声を徹底分析！

This is voice trainer Tsuru3. How are you all doing? This video is the official music video for “Proposal” by Takumi Ozaki and Kyosuke Fujimaki. I’d like to analyze their vocals by watching it. Tsu’s Vocal Room. The other day, the official INI YouTube channel released the original song “Proposal,” sung by IN’s main vocalists, Takumi Ozaki and Kyosuke Fujimaki . I was incredibly excited when it was released. I think this is the first time they’ve released a song together since they sang “Yuzusan no Tomo.” I apologize if I haven’t done enough research , but I absolutely love their duet songs. I couldn’t help but jump at the chance to film it. As always, the opening talk was filmed after the vocal analysis, so I was able to analyze the appeal of their voices, and they’re truly amazing. The singing voices they performed in this “Proposal” are truly “simple, is best. ” I think that’s the best description. They’re not using particularly difficult techniques , but their emotions for the song really came through in their vocals, and I was incredibly moved. I’ve analyzed these aspects more carefully and meticulously than anywhere else, so please stay tuned until the end of the video. And Tsu’s Vocal Room. I have a playlist of all the INI vocal analysis videos I’ve released so far . I think he’s already released over 100 vocal analysis and reaction videos. If you’re interested in watching this video and want to see more, I’ll include the playlist URL in the description , so please check it out. Tsuru’s Vocal Room. This channel mainly features reaction and vocal analysis videos that convey the appeal of artists I’m currently interested in from a vocal trainer’s perspective . If you’re interested in what I’ve said , please subscribe and like the channel. And here’s a new feature recently implemented on YouTube. Below the likes and dislikes, there’s a section called “Hypnosis ,” and I’d love for you to hype up there too. If lots of people hype up , I think it’ll be an opportunity to spread the appeal of Kyosuke’s singing voice, which I see as a key factor in getting into YouTube’s hype rankings, to even more people, so please help out! So, let’s get started with an analysis of the vocals of “Ini Kozaki & Fujimaki Kyosuke Proposal .” Kyosuke is the one who really shines. His voice is definitely stronger than before. Kyosuke’s voice used to have a more airy feel overall, but since last year, his singing has really gained power. It’s the result of his daily efforts, I think. So, how do they create this voice? It’s all about the thickness of the voice, the chest resonance that increases the sound pressure, the resonance and tone of the voice , the nasal space that’s key to hitting high notes, and the Ozora Kyomei vocals. So, speaking of the image of throwing your voice , I think you’re singing with the image of pulling it back a little . When you sing with the image of pulling your voice back, it sounds soft and gentle. Let’s listen to it again. This world that links to the above. Yeah. Yeah. So, around this world, you change the image of pulling it back that I mentioned earlier to a forward direction. Now, what happens when you sing with the image of flying your voice forward? Your voice becomes even more powerful. What incredible control! Moving on. Noise. Here we go. Here’s a whisper voice, with breath sounds mixed into the voice overall. You’re using this technique. I think it’s like singing close to your ear. Let’s listen to it again. It makes me grin. Your voice is so amazing, let’s move on. Here we go . Next up is Ta-san’s voice. Ta-san’s voice is basically produced in the same way as Kyosuke-san’s. Chest resonance, nasal and nasal resonance, and oculus resonance. However, the proportions of the colors are different. In Takumi’s case, it seems like he places less emphasis on the oculus resonance in his chest, and the image of his voice is a little off to the side. From what I’ve heard, it’s a moderately powerful singing voice, with a slightly soft and gentle atmosphere. Let’s listen to it again. What a nice voice. And the chorus is bright overall. This is just my guess, but I think he sang with a slight smile on his face when recording . Facial expressions have a huge effect on the voice. If you sing with a bright expression, your voice will be bright , and if you sing with a sad expression, your voice will have a sad quality. One facial expression can completely change the atmosphere of your voice, so I think he probably sang with a smile. Let’s move on to the next one. Oru. Yeah, good. And even though the is rising, the remains gentle. This is amazing; the higher the voice, the easier it is to carry power. This is the natural flow of his voice, but even with his high voice, Takumi has a gentle quality. How does he do this? He sings with more of his voice coming through his nose . By increasing the amount of voice coming through his nose when singing high notes, it becomes easier to create a relaxed body state , so I think that’s how he produces that gentle, high voice . Let’s listen to it again. I wonder if he’s using a “maoru” (meaning “magoru”) plus a pulled-back feel here. Kyosuke and Ta-san seem to have very similar ways of creating the image of their voices. I wonder if they’re receiving voice training from the same teacher? Anyone with more knowledge please let me know in the comments. Moving on to the next part. It was. Yeah. It sounds like he’s performing on the street. His true gold vibe is amazing. And here, Kyosuke uses one of his amazing vocal techniques, called mixed voice. It’s said to be somewhere between falsetto and natural voice. It feels similar to falsetto when you’re singing, but to the listener, it sounds like natural voice. It’s an incredibly miraculous singing voice. Mixed voice is probably the most popular technique among aspiring professional singers, but I think it’s also the most difficult technique of all . Kyosuke is incredibly skilled at controlling this. Let’s listen to it again. He was so absorbed in it that he couldn’t see himself. Yeah. He was so absorbed. This is mixed voice. The key to mixed voice is the amount of voice you put into your nose and the image of pulling your voice diagonally backward, I guess. You do these two things at the same time. Doing this makes it easy to switch to mixed voice, and I think this is a technique Kyosuke has been using since his debut. It’s amazing, isn’t it? Let’s move on to the next one. Arinota. Hmm . So, it’s a lot. No, Ta’s control of volume is also amazing. Whether the temperature range is low or high, the volume and power are consistent. And he uses a technique to slightly increase the volume just for the last long tone. This is called cresciendo, let’s listen to it again. It’s a singing style that feels like a substitute for ants’ ” hora hora. ” In the last long tone, the same note is extended, but the delicate control, as if the energy is raised just a little, is insane. Is it the next one? Let’s try. I think, I think that when I sing it with you, it’s a beautiful singing voice. This part is unison. Unison is when two people sing the same melody, but it’s an incredibly sparkling singing voice. It’s amazing that two people can sing and produce this sparkle. It’s an amazing singing voice, and the rhythm is perfectly synchronized between the two, so it’s teamwork. Let’s move on to the next one. Yes. Oh, I see. The two of them sing together, but there are also solid harmonies in the song. There was a lower harmony just now. A lower harmony is when the harmony is in a lower note than the main melody, but Let’s listen to it once. I can see it. Yeah. Yeah. I wonder if you can see it at the “you can see it” part. You can see it. But we’re harmonizing, so let’s give it a try. You can see it. Oh, this one. Sorry. Only the last note was wrong. You can see it. It was this one. Sorry. You never know until you sing it. Moving on. I ‘m a tsumo sparkling idol, right? It’s tsumo I. Idols who are sparkling, not just ruggedly cool, are great , aren’t they? I admire them. Moving on. Yeah. And I just noticed, you’re not using much vibrato. It gives off an atmosphere where a very straightforward feeling comes through in your singing voice. In the song “Yuzu-san no Tomo” (Friend of Yuzu), which Kyosuke and Takumi previously released , they used a lot of vibrato, and even in the harmony parts, they used a technique of matching the vibrato fluctuations. Even just that one thing, it’s amazing to think that they’ve thoroughly discussed it in meetings to create such a wonderful piece . Let’s listen to it again now . Look, look, look, both veils are still extended . The vibrato is impressive and I can really feel their desire , but extending a single note like this is extremely difficult from a singing perspective. Even the slightest wavering in the tone or lack of breath is immediately obvious to the person who’s affected. This requires solid fundamentals, and it’s clear from these moments that Kyosuke and Takumi have a solid foundation in their work. It’s amazing. Moving on. Good. It ‘s amazing that they can sing such high notes with such a sparkling atmosphere. This high note is also a mixed voice. I think both of them are really good at singing high notes, so it’s a really compelling moment. Let’s listen to it again. “Heartfelt” is from the heart, yes. “Illuminated” is this note. It’s incredibly high, isn’t it? Actually, my mixed voice has gotten a little better recently, so I ‘m now able to demonstrate and explain it, but a month ago, I wouldn’t have been able to do that . It was really recent. Good. I’m in time, let’s move on to the next one. Oh, that’s nice. It’s really good. Personally , I thought this “Proposal” had a similar vibe to the song “Kimi ni Todoke” by Frumpool . Am I the only one who thought so? I thought the refreshing, sparkling vibe was very similar. No, it’s good. Let’s move on. Okay. This is where the harmony comes in. I don’t know, but my fingers just now got a little tense, and they started moving a little weird. Is this where Kisuke sings the main melody and Takumi Mori sings the upper half? The two voices blend really well when they harmonize. The harmony is incredibly beautiful. Let’s listen to that phrase again. See, it’s a wonderful harmony. I think their knowledge of harmony is incredible , because while Kyosuke sings the main melody in his natural voice, Ta sings the harmonies in a mixed voice. Basically, harmonies work better when the voices are aligned, with one voice singing against the other, and the other singing against the other. But the key here is the incredibly high harmony point, so even though there are quite a few songs where the harmonies are sung in falsetto, it’s really a case of pursuing the beauty of the harmony. It’s amazing. Let’s move on to the next part. Yeah. So, Point-san, in this piece, emphasizes the “scene” to express the overall rhythmic dynamism, and he uses the technique of cutting off notes at certain intervals, called staccato. The sound after the cut and the strong “scene” sound become the strong sound known as the accent. All other sounds are softer. The strong and soft sounds create a sense of dynamic movement throughout the phrase. Let’s listen to it again. He sings it as if he’s singing a “not fast, but fast” kind of rhythm. Normally, this sounds like “pulse action,” but Takumi actually sings it with a cutting sound, just like I did earlier. Let’s move on. There’s no one else like him. Here we go. The part change span is short in the second verse. I thought Takumi would sing next, but so far it’s Kyosuke. He uses a brighter voice overall than in the first verse. But I don’t think Kyosuke’s voice here is a bright voice created by facial expression. So how did he create this bright voice? It’s by narrowing the image of a nasal resonance. This vocal technique is extremely important in terms of vocal image. For example, if you increase the amount of voice you put into your nose, a special person will sound like this . And, as I mentioned earlier, if you sing with the image of narrowing the resonance, a special person’s voice will sound bright. I think Kyosuke is using this extremely difficult method of expression to control. Let’s listen to it again . There’s no one else like him . In “Inai yo,” I felt like his voice had a warm, bright resonance, with a slight smile . So, except for the last part, “Inai yo,” he used the narrowed nasal voice technique I explained earlier, and sang ” Inai yo” with a smile that raises the expression , which I think is how it sounds. Moving on . So far, Takumi’s vocal tone hasn’t changed at all, even when he goes up a notch. How does he do this ? He increases the resonance of his chest in the higher notes. The first half is la la la la la . You keep the chest resonance here and don’t change it, just la la la la la. The natural flow of your voice is that the higher the note, the less chest resonance there is and the more nasal. And the lower the note, the less nasal resonance there is and the more chest resonance there is; this is the change in resonance that occurs. But conversely, if you can increase the chest resonance in a higher voice, or maintain the same amount of resonance as in a lower voice, the richness of the voice won’t change even if the tone changes. You use that technique a lot. Let’s listen to it again. It’s me, but I want to bring it out. You’re so good. You’re so good. I tried doing it consciously earlier, and my voice does get a little thinner. But your voice doesn’t change at all. You’re so good. Let’s move on. Your voice opens up before my eyes. Yes. Kyosuke’s voice just now feels like he’s slightly expanding the space at the back of his mouth to the side, and then he’s putting the voice into his nose. Like la la la la. Let’s listen to it again. My eyes are opening up to you. Yeah. No, it’s good. This whisper with a hidden meaning is also really, really comfortable. Let’s move on. The speed of this chord is really comfortable, isn’t it? The A and B melodies feel like time is flowing relatively slowly, but when the chorus comes, there’s a sudden sense of loss. I think this change in atmosphere is really wonderful. So, as for how he conveys this sense of disappearance in the song, the key is the way he uses rhythm. I think the A and B melodies are sung with a rhythm like this, tan tan tan tan, but the chorus part is doubled. Ta ta. The more you use rhythm, the more the song expresses a sense of disappearance. I suspect that they probably change the mood of the song by changing the rhythm in this way. Let’s listen to it again. It would be great to hear it about my future with you. It makes me so happy. It’s so wonderful. Let’s move on to the next part. You can see it’s been torn apart. Yeah. The lyrics just said “sparkle,” and since the two of you have such sparkling voices, when the word “sparkle” comes up it really brings to mind a sparkling image. Let’s move on to the next part. “Let’s go, let’s go, I’ll keep burning forever, ” and in between the scenes with Takuya and Kyosuke dancing makes me so happy. I often see them singing and dancing and performing in II, so it really feels like Tsumota and Kyosuke, and it makes me feel a bit relieved. Moving on. Hmm. It’s unbelievable. It’s so amazing I’m at a loss for words. When you hear something truly amazing, you’re left speechless. I hope this charm can be conveyed to many people. Moving on. Yeah. This is definitely the part where the note suddenly rises. I love this part. Well, it’s a really difficult part for the singer, but the wider the range of the note in the phrase, the more difficult it becomes, and on top of that, in this part they use a technique called a “shiri” to raise the note all at once . It’s extremely difficult. Let’s listen to it again. They sing this note twice, like in Tera , and it’s incredibly difficult. Well, as expected. Moving on. Oh, that’s good. The harmonies. Oh, they harmonize in this last phrase. It’s great, isn’t it? And this time it’s the upper harmony. It’s the point where they harmonize at a higher note than the main melody. Let’s listen to it again. This yeah. It’s a beautiful harmony, isn’t it? Wow, what incredible expressiveness. The main melody is so expressive, and the harmony is also wonderful. No, it’s really great. Here it comes . Oh, I see. Oh, that’s good. The back melody is coming. That’s good. They harmonize again at the end with this follow-up phrase, it’s really great teamwork. I think it’s your two earnest personalities that have allowed you to create such a wonderful song. It’s really moving. Let’s move on. The vocal arrangement is also great. You must have had a lot of meetings in the first year of school for this. The interplay in this song is wonderful. Let’s listen to it again. Just now. Oh, look, look, look, look, look, look, look. Wow, it’s great. Kyosuke holds out a long tone, and then the others add in the main melody and harmonize at the end. This flow is just amazing, isn’t it? I’m guessing there’ll be some kind of chorus after this, but what will it be? Let’s listen. No supporting notes . It wasn’t an obi. This kind of point is what’s called a “decisive point.” The point where the instruments, like the “ba,” play in the same rhythm is called a “decisive point.” I guess it’s like a highlight of the instruments. This decisive point is cool, isn’t it? Let’s listen again. Does the supporting “ba” sound that loud? It was a “ba.” It wasn’t a “ba.” I wonder how you think my expression here is? Like, “ba-ba.” But I don’t know how else to describe it. But I think everyone in the “mi” group will understand. It’s cool. So, will it go into the regular chorus from here? Let’s listen. It ‘s annoying, right? Yeah. It’s nice how it’s projected onto the screen. And the actors, too, look at the screen. : This is kind of nice. Moving on. Nice. A treasured moment. Kind of nice. I’m a little moved and teary-eyed just now, but the story of the music video and the lyrics of the song just matched perfectly, and that’s when I got really moved. Moving on. Nice. Oh, that’s right. Sorry if you say that, but I don’t know. Ta-san’s costumes are white and Kyosuke-san’s are black. I think those colors suit them both best, and Ta-san looks really good in white, he has a really princely feel, and Kyosuke-san in black, he looks so cool and sharp, I think that suits him, it’s really cool, isn’t it? Sorry . That’s all. Moving on. It’s nice because they seem to be serious. Nice. It’s a date scene. I remember similar experiences when I was younger, and I watched it with a bit of nostalgia. I’m sure this scene also brought back fond memories of romantic memories for everyone. Moving on. ” This path you and I make together”… Hmm. Wow, it’s great. Their voices are truly amazing. I’d love to see them sing more songs. These two haven’t updated their INI covers in a while, so I’d love to hear more covers, and I’d also love to see them sing more original songs, like they did this time. Let’s continue. Oh, this part. Good. Good. Good. Is it the ending already? It feels like it, considering the time. 28 seconds left. They should sing one more melody. Since we’ve come this far, let’s watch until the end. Oh, it’s over. I see . They don’t appear at the very end. But I guess they’ll appear at the end, like a bang, or some kind of finale. Let’s look at the next 10 seconds. The proposal. Oh, it doesn’t come out. Ah, I see. So he prepares the ring and ends at the very last moment when he’s about to propose. Wow, it ends at a point that really makes you wonder what’s going to happen next. From here on , it’s up to you to let your imagination run wild. That’s a good ending, too. Really, I’m really touched. And that concludes IIN’s Ozaki Takumi & Fujimaki Kyosuke proposal. This concludes my vocal analysis . What incredible voices! The songs sung by Kyosuke and Takumi exude a truly gentle atmosphere. I personally believe that both Kyosuke and Takumi have voices that exude a different kind of gentle emotion, and I think this proposal was the perfect culmination of that. Seriously , I was moved by their incredible voices, their incredible expressiveness, and the story of the music video. I’ll continue to follow INI with all my heart. That’s all for today’s video. If you enjoyed the video , please subscribe and rate it highly. Well, this is voice trainer Tsusan.

尾崎匠海 & 藤牧京介 (INI)｜’プロポーズ’ Official MVがINI公式youtubeチャンネルにて公開中！この動画は尾崎匠海 & 藤牧京介 (INI)｜’プロポーズ’ Official MVをボイストレーナーのツル３がどこよりも丁寧に細かくをテーマに歌声分析している動画です！

引用：https://youtu.be/YqYgs3n52XE?si=sFq2KbF158RxS67E
尾崎匠海 & 藤牧京介 (INI)｜’プロポーズ’ Official MV

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