宮沢氷魚が触れた〈シャネル〉の手仕事。『𝑙𝑎 Galerie 𝑑𝑢 19M Tokyo』への誘い。vol.2
Hi, I’m Kio. Nice to meet you. Nice to meet you. I’m Crystal Kos. I’m super happy to welcome you in here in Mar [Music] is a craft house that have the pecularity that have five different knowhow. Mhm. So the knowh how about flower making since um many years we having um the chance to make and compassionate um all the chameleia for the house Chanel um but we also doing embroidery with flowers. We have the chance to have um an archive with thousand of thousand of um shape and mold that we can do every kind of flowers, leaf on the nature. We have another atalier at Marier which is the featheral. We will uh you know works every kind of feather with very flat with marketetry with like little touch things very hairy things very dense would look like almost like a fur. The other is a textile creation where they would do volon smokes instation of lace very ancestral technique too that they they work and create you know things with the fabrics. We have another atalier which is a pleing atalier and again it’s a house and technique that dates more than 100 years and I have a lot of mold very unique some of them look like origami very very very creative um way of pleing the more classic flat plates uh sand plates like that go like an arrow but then very like 3D and we have last Saturday which is onobic style which means they do hand painting they decorate the fabric by hand with sequins with um um deor technique with very specific technique that they like painter very creative and it’s like a big group of people and they all yeah work together with their own skill also and now you’re taking this technique and know how to Tokyo And you have three collaborations in Tokyo. And can you take me through each and one of them? I know. I want to to discover what we’ve been working on um in collaboration with this incredible artist, Mr. Kosan. Um I’ve been exchanging with him. He’s been um speaking to me about his passion, about his technique and his hat. And we’ve been very like creating a pattern uh with using you know our mold of leaf of flowers that date that more than 100 year old. Mhm. And we’re creating this kind of motif that he he used and got inspired to uh use in his technique of karakami paper to um to print with his blood print. And on my side with my team at the atalier, we’ve been creating different type of flowers. They all been cut and handmade. That’s going to be the screen of Mr. Kadosan. And we’re gonna have some clad going from the from his work to our work to something very onic and poetic using all our skills and different type of flowers. We wanted to have something very alive but also yeah creating something very new uh using a lot of our tool but also creating new uh flowers. We create some origami flowers too because we thought it was nice. We also use our p Mhm. to create flowers. And um you we will do um a composition to create a little cloud um and using uh all the different element to to do something very unique. I see it’s beautiful. It’s a lot of detail because you know if you see a lot of like mold that we’re also using is so refined in the way they they carve and uh it that’s also you know you you cannot tell but it’s like we’re doing of course a lot with fabrics in couture and to do with also this is very uh specific paper that is been done in Japan is very beautiful Because you have this little shine on the paper. So when we we create a shape, it change a bit the colors. It take shapes, you know. Now we’re going to m them that’s different type of leaf. Uh it’s very poetic and and very beautiful. That’s been very a great experience. Do you have any challenges um working with uh craftsman from Japan? It was very important. our the house me and the atalier cocado have to find a synergy together. So we we needed to discuss and align though it’s not challenge it’s about creating something very unique that only him and us can do and I think we I’m very pretty sure we’re going to achieve that so I’m very looking forward in September. And you’re also working on hair pieces is that correct? Uh yes we have another project with air and freezers using different type of skill. We work with um Mr. Konosan and we’ve been using this incredible uh fashion creative inspiration to uh fusion and get inspiration to create a hat piece that using specific dying on her is braid and we put on a head piece and we’ve been adding some feather some the market feather that means that we’ve been working very flat some feather different kind of feather. We’ve been braiding some feather too. And we’ve been highlighting also some colors with some stone to bring a bit of refinement, to bring a bit of sophistication. And the idea is to have a bit like a butterfly uh from Japan, but it’s a bit mysterious butterfly, very creative. So that just um have something a bit punk, a bit um different that bring our both technique. Wow, that’s amazing. I’m so excited to see all of that in Tokyo. How do you feel about your art pieces um being presented in Tokyo? And if you have a message for the audience in Tokyo, I would like to hear that. H it feel very uh incredible and unique to have French knowhow presented on the top close to the sky in Japan uh collaborate uh very closely with Japanese artist is a very true honor to share experience to share know is very uh beautiful and for me it’s about constructing the future of craftsmanship with a very curious and enthusiastic eye. So, I’m very looking forward. Thank you very much. Thank you so much. Thank you.
パリ北部に〈シャネル〉が設立したメティエダール（芸術的な手仕事）の殿堂「𝑙𝑒19M」。9月30日〜10月20日に東京で開催される『 𝑙𝑎 Galerie 𝑑𝑢 19M Tokyo』に先駆けて、宮沢氷魚さんが「𝑙𝑒19M」を訪ね、熟練の職人の手仕事に触れ、3人のキーパーソンと語らう。
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